Thanks so much for all the nice comments on Maxine! She's off to the test-knitters, so hopefully I'll receive some solid feedback and get the pattern to you in a timely fashion. Ethel, by the way is about this close to release. The test-knitters on that project were amazing, and I want to give a special shout-out to Maria. She was so generous with her time and energy, even taking out the graph paper herself when necessary to see where a problem was hiding, and winningly enthusiastic from start to finish. Maria, you rock. And the rest of the test-knitters: you rock, too.
So, on to business. I apologize in advance for the long, photo-less post today, but I'm really curious about all your opinions on something. There are some amazing artists and craftspeople who comment here (and I know there are more of you lurking!), and I'm interested in your judgment. So here goes.
I've known about things like National Novel Writing Month and its many takeoffs for some time, and, while they're definitely not for me, they seem like a fun thing for people who have a hard time motivating themselves actually to sit down and write (and who thrive in an atmosphere of community and adrenalin). Spend a month frantically writing a novel, and decide at the end of the month whether what you've produced is worth refining, or whether it was a fun exercise that constituted its own reward. But lately I've been noticing some things that seem at once sillier and more culturally worrisome. Well, maybe by "culturally worrisome" I really mean "personally annoying." I'm having a hard time telling the difference right now, which is where you all come in.
First up is Write or Die, which describes itself as "a web application that encourages writing by punishing the tendency to avoid writing. Start typing in the box. As long as you keep typing, you're fine, but once you stop typing, you have a grace period of a certain number of seconds and then there are consequences." Said "consequences" range from a little flashing box that reminds you to keep writing, to "kamikaze mode," in which your prose actually begins un-writing itself when the grace period elapses.
I know that Write or Die is mostly a joke, and if it's a useful tool for some people, who am I to complain? I also agree with the basic assumption that doing a lot of something - just practicing, without worrying about perfection as you practice - is a great way to improve. But I guess I'm seeing so much focus on the initial stage of creative production - the vomiting-it-out stage, so to speak - that the latter stages of editing, refining, ripping-out-and-re-knitting, are being neglected. One hardly ever hears, for example, about communities of people getting together for editing parties.
I actually think the knitting community is ahead of the game in this regard, because the luminaries of our field tend to stress the importance both of swatching beforehand, and ripping back when we've made a mistake that's going to bug us, or when a project just isn't living up to our expectations. There is also a lot of talk about putting things away for a while; I can't count the number of times in a Ravelry forum where a knitter has just discovered a heartbreaking mistake in a piece of knitting, and his compatriots advise taking a break, putting it away and letting it marinate for a while, giving the frustration and disappointment time to dissipate. This strikes me as incredibly wise, despite my own tendency to just rip out immediately and fix the problem (but I've had a lot of practice at detachment). Write or Die, on the other hand, doesn't give the writer time to stop and breathe, to re-read what she's written and make a change here or there, to recapture the flow of the narrative or just take stock of her direction. It's adrenalin/punishment-based, and while that's fine for a crazy weekend-long productivity-party, or even a month of novel-writing, it strikes me as a totally unsustainable way to live one's life in the long term.
In the same vein, Boing Boing today linked to Bre Pettis and Kio Stark's Cult of Done Manifesto, which goes thusly:
1. There are three states of being. Not knowing, action and completion.
2. Accept that everything is a draft. It helps to get it done.
3. There is no editing stage.
4. Pretending you know what you're doing is almost the same as knowing what you are doing, so just accept that you know what you're doing even if you don't and do it.
5. Banish procrastination. If you wait more than a week to get an idea done, abandon it.
6. The point of being done is not to finish but to get other things done.
7. Once you're done you can throw it away.
8. Laugh at perfection. It's boring and keeps you from being done.
9. People without dirty hands are wrong. Doing something makes you right.
10. Failure counts as done. So do mistakes.
11. Destruction is a variant of done.
12. If you have an idea and publish it on the internet, that counts as a ghost of done.
13. Done is the engine of more.
There are certain items on this list with which I strongly agree, even if I dislike their phrasing. "Laugh at perfection," for example, I find a very useful thing to keep in mind in any creative process. "Accept that everything is a draft" and "Failure counts as done. So do mistakes" both point to a process-based approach that I definitely appreciate. But "There is no editing stage"? "Once you're done you can throw it away"? And, most especially, "If you wait more than a week to get an idea done, abandon it"? To me, this list paints a picture of a frantic race to get something - anything - finished, without pausing to conceptualize, plan, or savor the process. Slapping something together because you want to get as much "done" as possible, viewing the germination process as nothing other than procrastination - it smacks of the desire for instant gratification. It's probably obvious by this point in my entry that this vision is not attractive to me. In its attempt to motivate people into accomplishing something, it veers wildly to an extreme, and fails to consider elements like careful craftsmanship, reflection, or pride in doing a job well, rather than simply doing it to have it done.
Perfectionistic procrastination versus slapdash, shoddy construction: it's truly a hard line to walk. And I suspect that to a certain extent, this is all a matter of semantics. Some people find the initial motivation and raw-material-production to be the most difficult part of the artistic process, so they want to stress the idea of just sitting down and getting something done. Other people find themselves drowning in piles of raw product, so they tend to stress the importance of the editing and refining process, separating the wheat from the chaff. But both groups, I think, should attempt to acknowledge the reasons for stressing what they do. Otherwise, the readers of lists like the above get a radically skewed picture of the process.
Sure, it's counter-productive to obsess on the same story/garment/project forever, removing and replacing a single semicolon all afternoon, or erasing and re-drawing a neckline until you wear a hole through your sketch paper. There's a point at which one should just dive in and give something a try. But I don't see why that means that we need to discount the other parts of the creative process. There is a time for spewing forth unedited product, and there is a time for going through that product in search of gems (or, if you prefer, a time for just casting on, and a time for finessing those decreases to transition seamlessly into the twisted-stitch motif). I would even argue that there is also a time for dreaming about projects of the future, and accumulating ideas to put in the mental warehouse for later. Seriously, if I had abandoned every project idea that didn't materialize within a WEEK? There would be very slim pickin's on this site. What am I saying? There would be no site.
Here's the thing: I got good at knitting through lots of practice, through LOTS of ripping out and re-knitting, making mistakes and fixing them, experimenting and tweaking. But I do all that knitting because it's something I love. Because at the end of the day, I really enjoy sitting down with needles and yarn, and figuring out a design problem or watching a stitch pattern emerge. I love working with fiber; I love the various properties of different yarns. I genuinely enjoy seeking out and learning new techniques. And even if I can't honestly claim to enjoy ripping out an entire sweater front after it's already seamed or cutting off a felted waistband and grafting a new one in its place, it's immensely satisfying to end up with a garment that lives up to my initial vision. I don't always feel like doing the sizing on a pattern's set-in sleeves, or tracking down a math error in my spreadsheet. But when I think about the wider context of the project, I never have too much trouble motivating myself, and when I do those things I'm working out of love, not out of fear or adrenalin-panic. Moreover, doing this stuff is part and parcel of my daily routine. I'm just USED to working on art. I've done it every day, so I do it every day.
I know that my experience is not universal nor my process for everyone, and I don't mean to sound smug or self-congratulatory. I don't intend to claim that everyone should work like I work. But I have to wonder why so many people seem drawn to these extreme motivational methods and outlooks. Have we as a culture lost the ability to think contextually, and do the less exciting things for the sake of the more exciting? Can we not institute a daily routine of writing or art-creation without going to extremes? Is there some reason we no longer want to set reasonable, sustainable goals, but are drawn instead to adrenalin-pumping mad dashes to meet a seemingly impossible quota? And why is this lack of motivation so prevalent? Are we in love with the idea of art creation instead of the reality, enamored of "being a writer" rather than the texture of words and phrases? Is there nothing we love well enough to do it well, for its own sake? Or am I just wildly overreacting to what are essentially two jokes on the internet?
I welcome your thoughts on any of these pressing questions. The next entry will return to your regularly scheduled Family Trunk programming.
I don't think you're wildly overreacting. The whole concept of "NaNoWriMo" gives me the heebie-jeebies, and this "Write or Die" stuff even more so. This may be cynical of me, but I think you hit the nail on the head when you wondered if a lot of people are more focused on BEING a writer rather than telling a story. The 'false starts', purposeful procrastination, and months of revisions with red pen in hand are all integral parts of the process�and in the end it's often the process we look back on with the most fondness. (I published my first novel in 2007. When people ask me what my favorite part of it all was�interviews? reading reviews of my work? readings at bookstores?�I actually have to tell them that in hindsight, the long nights of writing the book, and celebrating its publication with friends and family, were far and away the two best parts.)
Sorry to be rambling here. I guess I'm just trying to say that I'm afraid these sorts of writing exercises might seriously stunt the creative process. If one takes little or no joy in the doing, there's really no point in doing it.
Great post, Sweetie! Though I have a lot to say against your ideas. :)
What you're talking about here intertwines very nicely with that conversation we had with friend Alan way back in the day, the one about orgasm and sexual trauma: some people just have to "fake it 'til they make it."
I think that "approaches" such as that manifesto you mention, besides being a sometimes-unconscious response to the phenomenon of loving "the idea of art creation instead of the reality," can be a sort of exposure therapy for people who are creatively traumatized.
Speaking from that perspective myself, I can say that - though the actual technique or method or manifesto is probably not ultimately Helpful - going through such seemingly backwards, often ill-conceived, sometimes insane, and, ultimately unsustainable experiments is sometimes part of the process of finding one's process.
I think that that, in and of itself, is fine: taken as a part of the arc of one's recovery, I could see trying on some manic art-making as being actually healthy. But the danger I feel is that one becomes stuck in these extreme patterns, or becomes so discouraged by the obvious non-sustainability of it all that she gives herself up as a bad job (the other possibility, of course, is that the badness is emanating from a bad approach).
So, taking all that as true (which it may be), the question I'm left with is not "Why is our society so enamored of these unsustainable approaches to art-making," but "Why is our society producing so many creatively traumatized people?"
I think that part of the answer is that many people are simply not given the right tools to nurture their own creativity, or aren't able receive those tools when they are proffered. I think, also, that the Structures of Validation in our society are skewed in such a way that, not only is it often difficult to receive any validation in an artistic pursuit, but further, that the validation one is taught by popular myth to expect and wish for is not even of a sustaining or nurturing variety (e.g., tabloid celebrity, "rockstar" lifestyle, free drugs, etc...).
So, what should we do? I bet that this - thinking and talking about the problems - is a great first step. And, the Internet Community can produce some healthy answers, along with the extreme ones. Certain communities have emerged that really do foster a supportive atmosphere. Look at Ravelry, or Vimeo. Of course, nothing's perfect (I LAUGH at perfection!), but I think that these positive starting points, plus a little of this sort of conscious discussion, could really go a long way towards adding Structures of Validation that are meaningful to - and healthy for - us.
CAN I GET AN AMEN!?
Amen!:)
I think programs like those two may help some people, but most who really need help getting anything done would probably crack under the strain after a few days. I know that I would.
I have a very avoidant personality (hence my never having commented before). I always fear rejection or doing anything wrong, and I feel the need to qualify most of the things I say. I truly believe that communities and blogs like this are the best way to inspire people and make them want to do their work well. When I finished school, I basically started living like a recluse, and what happened? I stopped writing poetry. I stopped drawing. I had so many artistic plans, including one vaguely similar to the family trunk project, but now that I had all this time on my hands, I wasn't doing anything.
I happened to stumble across a knitting blog about two years ago, and that got me wanting to make things. Not just ugly acrylic scarves; I wanted to make pretty things. I have created more beautiful knits in the past two years than in all of the preceding eight since I learned to knit. People inspire people. Thank you so much for this blog, Emily. I love everything you make. Keep up the good work!
Hm, interesting thoughts. I have to say that for me personally, that Cult of the Done thing looks like absolute balderdash. I mean, are they really taking themselves seriously?! I couldn't read that list without snorting and laughing. It is RID ic U LOUS. That said, I think it reflects some basic American culture and values that I see in life. Emphasis and value does not tend to be placed on dreaming or thinking, but rather producing, and doing it quickly and efficiently. Workplaces all want people who are "multi-taskers." People who meet deadlines, do it well, and while taking on 50 other projects are seen as valuable. Um, I think it's rubbishy rot.
Everyone has their own process. I certainly have mine. Perhaps I could produce more, but that's just not fun for me. And if it's not fun, why the hell bother? Things like NaKniSweMo are my idea of hell... things get finished in their own good time, when they are meant to be. I'd like to see this guy try to create a family..."gee honey, can't you just pop it out now?!"
Things are meant to be born, and in some cases, materialize slowly, over time. Sometimes ideas arrive as a flash of insight, followed by an intense work period. Who cares, as long as you enjoy it? I have the feeling Mr. Pettis is just getting off on himself.
As to goals and culture and art making - you raised the question:
"Is there some reason we no longer want to set reasonable, sustainable goals, but are drawn instead to adrenalin-pumping mad dashes to meet a seemingly impossible quota? And why is this lack of motivation so prevalent?"
I think there *are* lots of people who do work in a traditional way, with steps taken and goals met. An expression of anything else could be seen as a sort of result of a cultural shift- look at the mass production that started a few hundred years ago, with the hugely ramped up consumer culture that started in the 50s (I think it was.) Make, make, make, buy, buy, buy = don't think. Don't breath.
Ummm... I'm not sure I have a cogent point coming. I think I'll stop. Let it sit. Ha ha ha. Honestly, if anyone truly followed the Cult of the Done, I think he or she would be leading a ridiculously unexamined (for the most part) creative life. I think it sounds silly and shallow, but if it works for a person - who cares. Go for it. Just leave me out of it.
Oh, and as to people being creatively stifled without adrenaline - I don't think that's true. You have only to pop over to Etsy or Dawanda, or wander through a downtown and into all of the art galleries it has to offer, or into a city college and to the art rooms to see people making things, enjoying the process, and having the reward of a well made piece of art, of craft, or whatever. Just because we're into the 21st century doesn't mean we don't have artists and authors and craftspeople galore. We have lots!
Speaking as a non-knitter who has explored multiple forms of creative undertaking (film-making, music, gardening, design, etc), I am inclined to see both sides of this perennial debate.
IMHO: Like most things in life there are two phases (possibly associated with yin and yang). There is the expansive vomit-your-creativity-out phase, and the contractive discard-90%-of-what-you-vomited-out phase. Frequently, the creative process suffers when we confuse one phase for the other. We might really be in the first phase but trying to do the second (second guessing, over thinking, etc). Or we might be in the second phase and still trying to do the first (lack of direction, focus, quality, or false starts). This rhythm is a little like breathing to me. You can't just breathe in. You have to do both. For those who have been traumatized creatively, I suspect it has a lot to do with understanding and being present with one's own creative rhythm.
And yes, institutions frequently cookie-cutter us into feeling the need to be in one stage or the other. And by institutions, I am including this kind of fake-it-till-you-make-it software.
Aww, thanks, Emily! It was fun knitting that sweater! (I was racing against the other test knitters. In my mind.)
These are some interesting thoughts. I think some ideas start out good, but then are later twisted or changed and end up not so good. Nanowrimo might be a good example. Neil Gaiman (a favorite author) has often answered questions on his journal about how to be a better writer and such. His answer is always "Write." And I think maybe that was the original idea/purpose behind nanowrimo? It gave people a definable goal and a built-in support group. It helped keep them from editing themselves to the point where they ended up erasing more than writing. It helped them to WRITE.
I think a knitting comparison would be something like the design-along that Marnie and Julia hosted last year or a couple years ago. If I recall, you could design anything, but it had to be with one of four yarns. (I don't remember if there was a time period.) By imposing some guidelines, it can help your creativity because you aren't overwhelmed with the possibilities. I'm sure you experience this yourself with your family trunk project. If you had the whole world of designs open to you, figuring out what aesthetic to go with, or what sort of garment to make might be a chore. But when you limit yourself to just one time period, that forced narrowing of options help you find a reasonable number of options.
However, all that being said, I do see a definite trend toward sensationalism and over-the-top. I used to love watching the Discovery Channel and Food Network and HGTV (yes, and my mom used to call me Grandma!). I haven't had any access to TV in years now, and when I watch it at my Mom's (or elsewhere) I'm always surprised by how much it has changed. Gone are the simple shows teaching you how to do things, or teaching you about life on the African deserts. Now they're replaced with IN YOUR FACE shows that OMG you CANNOT BELIEVE what is coming UP NEXT! Even the nature shows have turned into animal reality shows. I'm surprised there's not a "Real World: Kalahari" on!
Maybe I'm just getting old.
Hmmm, interesting. I find that I agree with you on some points and not on others. The Cult of Done annoys me no end, because you're right - they're missing some of the point of creation, and it's truly problematic. However, I have to stick up for NaNoWriMo a little (and also point out that there's a less well lauded follow up in March, which is supposed to be when the novels are edited). I participated in...I think it was 2004. Up to that point, I'd been writing short stories, and had had a number of ideas for a novel, but I'd never written a story longer than 15 pages. I seemed to have a block beyond that. I participated in NaNoWriMo, and for me, the point was indeed to get it done - anything. It hardly mattered what I wrote so long as I was writing. And that was when I discovered that it was, indeed, nearly effortless to write and write and write. Those 15 pages were behind me in no time. I wrote more than 200 pages over the course of a month. And while it needed major work, it was a coherent story. Well, actually, two coherent stories mashed together, but the overall arc was there, and I knew at least that I could write something as long as that. The editing process, however, has been going on ever since. So for me, it was a matter of getting it out in the first place, but the refinement was always waiting in the wings. I can appreciate, as a tinkerer, the cult of done to some degree. I rarely feel truly done with something. I think that is the nature of the artist. We can always see the flaws and faults and the ways we should have/could have/could still, and we don't want to let it go. But as a cult, as a simple object, done is not enough. I think there's some middle ground that the cult of done and the cult of the tinkerer both miss.
Apologies for the wall o'text. I had trouble breaking my thoughts into paragraphs.
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What an interesting post! I immediately applied it to what I see in my own life, as one does, and thought about the process of mastering a musical instrument. Of course, we have to just sit down and DO it (at least in the first 10 years or so) or else you don�t get anywhere. But of course you have to have some level of mindfulness or else you�re just sawing away at some strings with a bunch of horsehair. People dedicate books/therapies/lifetimes to learning/teaching how to practice �better� and more efficiently. Why spend 3 hours on something that you could accomplish in 45 minutes? Why indeed?
But then I thought of a friend of mine who belongs to a composition �lodge.� They get together and write 20 songs (each person, not together) in a 12-hour session. Never mind that they�re all electronic and that sort of session is my idea of hell, they have to just crank them out; a mini-version of NaNowhatever. The finished products are, well, variable in quality but mostly they�re getting those creative juices flowing.
So perhaps we�re looking here at two sides of the same discipline � the creative side and the craft side. On the creative side, just put in the time (�just WRITE�) and rewards will be reaped. On the craft/technical side, put in the time but carefully. No point in learning something wrong, after all. Perhaps with writing those two sides are less distinct, more enmeshed? The first stage is the write-till-you-drop, spew it all out stage that makes you cringe. The second, editing stage is where you finetune your craft, making sure you don�t learn any wrong notes and phrase things in just the right way.
Interesting, thanks for making me think at 8.30 on Saturday morning!
What a great conversation! By the way, I recently discovered your blog and have been talking about your project with all the knitters at the shop I work at (LYS).
I have always made things, somethings that are tangible, and others that are not so easily defined (I homeschool my daughters). Creativity and its process is something I investigate and try to understand how to encourage in myself and the students I teach in my classes and at home with my children. Since I am homeschooling, and I run studio art classes for children,this question of how to encourage the creative process without turning it into a competition, or letting it devolve into something petty is critical.
Getting done is not the point, but when you are learning a new technique, or working with new materials, doing is a very important step in becoming able to competently use a new material. For children, they know that exploring the shelves in the art studio, finding new materials and trying them out is deeply satisfying even if it doesn't produce a finished product most adults would consider a success, it was about the process. However, all projects are not about becoming familiar with new media, but expanding upon skills you have to produce a finished product that does convey the idea you had. You can't get to this finished piece without simply 'doing', practicing, becoming competent in your craft.
I think the question about this,"just get it done, just produce", is really about getting over that mountain of self-doubt as adults we've constructed.(Which is why the idea of writing soft-ware that punishes you for not writing is self-defeating...and in the end very petty.) I see real value in creating a habit of writing (or anything else you want as a habit i.e. exercise). However that habit can be formed in one month of consistent doing.
What I see as more of a problem here isn't this, just write to write, but instead what you have pointed out. What to do with this 'raw material'? Its like in all those movies in the eighties,like Karate Kid, flash past the learning and refining stage to the end product. Applause ensues and we all feel good. That middle part of learning is what needs to be encouraged and supported. I think some kind of feedback process, like journaling or blogging is a key to this process. It's a link to a moment in time, document what you do each day. It can help remind you of questions you had along the way, ideas and paths not taken. Rich soil for any project you are working on!
For more in this vein, I've linked a video from the recent TED conference on creativity and inspiration (very interesting)
http://www.ted.com/talks/elizabeth_gilbert_on_genius.html
as well as another favorite blog I follow that focuses on cultivating true learning,http://www.whiteoakschool.com/camp-creek-blog/
I look forward to reading more comments!
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