Since October is almost over and winter will be upon us before it's remotely reasonable to expect it, I thought it was about time I blogged about a sewing project I completed in late spring, before the France trip, and which has been in heavy rotation all summer.
This is a Vintage Vogue design (2414), a reissue of a pattern that originally came out in 1950. As you can see from the pattern illustration below, there are quite a few features I didn't get around to adding to my dress before we left on our trip: in particular, the cool two-level self-covered belt, and the lovely little bolero. This is one reason it's taken me so long to blog about this project: I kept thinking I was going to finish up these missing pieces, especially since I do have them already cut out and waiting to be sewn. But you know how it goes: after I got back from the trip, newer and shinier projects beckoned. At this point, I'm thinking that throwing the missing pieces together come next spring will be a great way to refresh this dress for another season.
Still, it's perfectly wearable just as it is. I wanted to sew something that encapsulated my idea of the Norman seaside, and this linen/cotton blend in black and white stripes was, I thought, just the ticket. I wanted to evoke a turn-of-the-century, Proustian world of young girls in the Old World frolicking by the seashore, without looking like I was wearing a costume.
Then I received the red Fluevog Ileanas I'm wearing in these photos, and I added a few more modern red details to tie the whole outfit together. When I eventually make up the belt it will be in a very cute, very modern print with a vivid red background, which in turn will pick up the red of these great buttons:
As far as construction, I'm understandably a little hazy on the details this long after the fact. I do remember that the pattern was lots of fun to put together, and I would definitely make it again. The bodice is boned and lined; the directions call for self-lining but I did mine in a plain white broadcloth so as to avoid shadow stripes showing through the right side of the garment. The skirt has an extra panel that wraps around in front and attaches with a hook and eye so that the dress stays put even though the buttons end halfway down the skirt. I added a tiny amount of ease to the top of the dress at the side seams, but I think if I make it again I'll take that addition back out; after a full day of wear it gets ever-so-slightly gappy, although because I included the optional straps, it's not that big a deal. Overall, it fits great and is very easy and comfortable to wear; I love the slightly high waist, and the faux pleat caused by the combination of the wrap skirt and the buttons that end mid-thigh. The asymmetrical pocket is another favorite detail:
Of course, as fate would have it the two days we spent in Normandy were some of the only rain we saw during our whole three weeks in France, so I spent that time in my jeans and raincoat instead of sporting strappy sundresses. Still, I was very satisfied with the overall execution as compared to initial concept. Instead of photos from Cabourg, I'll just have to make do with shots from the little park next to the Bomber Restaurant, where we took the photos for the Saint-Exupéry Hat.